The front half of the audience was engaged and attentive, the back half chatted at the bar or in the booths near the entrance.Īfter the set, Wilson thanked the near-capacity crowd with the same kind of gratefulness that you would loved ones at your birthday party. There’s a playfulness to Wild Child’s sound that endeared them to Sunday night’s audience.
Beggins, on the other hand, played more absent-mindedly, as if he was watching something off in the distance.
She was fully engaged, barefoot, smiling, with eyes closed or looking at Beggins as she sang with him, or at the crowd at the fringe of the stage. Wilson sang as if accessing deep parts of herself. Her calmness was balanced by the frenetic energy of drummer Carey McGraw.
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They played their single “Crazy Bird,” which started with an a capella shout of the first line, the end of which breaks into the full band playing at the same moment.Ĭellist Sadie Wolfe was calm and composed, playing with the same focus as she would a concerto. “So we were like, ‘All right, with the second album let’s have a lot bigger songs and ones that are really fun to play live.’” “We’d been touring a lot and a lot of the sweeter songs in loud grungy bars sometimes don’t go over as well,” Beggins said. Wild Child achieved a feeling of intimacy, but one that wasn’t private but fully inclusive of the crowd. Sunday, in songs like “Crazy Bird,” “Stitches,” and “Pillow Talk,” the two were like lyrical conversations, with the lucky audience being allowed to eavesdrop. The two are not romantically involved, yet their voices harmonize seamlessly and also provide the space for each to sing. The band’s core is the friendship between the two vocalists, Beggins and Wilson, who met while touring with The Migrants in 2009.
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